THIS WEEK’S FEATURED FILM PREMIERE: "Regressus ad Uterum: the universal language beyond the incommunicable” (Oct. 4-10)

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Regressus ad Uterum: the universal language beyond the incommunicable

Description
My research stems from the need to investigate an immutable human peculiarity: miscommunication. By definition, it is an existential condition that makes it impossible to communicate oneself objectively to others. This state consequently results in a form of isolation and loneliness - a continuous attempt to be understood by clinging to the most humanly possible, followed inevitably by failure. Despite being the only living beings existing on Planet Earth to have the privilege of speech, humans are also the only living beings who fall victim to inexpression, incomprehension, and the impossibility of communication; at least, through verbal language.

This experimental performance aims to overcome the barriers of speech by creating a universal language composed of the five human senses, allowing us to enter the most private sphere of the other being - a "Regressus ad Uterum."

Runtime: 4 minutes 55 seconds
Best Viewed: Any Screen / Cinema Presentation / Projection

Director Biography - Micol Ceretta
Ceretta is an Italian creative based in London, passionate about research, visual analysis and storytelling. Her imagination aims to investigate the mind, human behaviour, and the "internal landscape." She is fascinated by the relationship between human beings and the outside world, and costume used as reflective and expressive means is a source of continuous stimulation and investigation. She admires it so much when the arts communicate or make people reflect on themselves and what happens to or around them.

Ceretta has a BA in Fashion Styling and Communication at NABA, an MA in Fashion, Film, and Digital Production at UAL, and her work experiences allowed her to acquire different skills, from creative writing to sewing, from styling to image creation, from pre- to post-production. She slowly started building and talking about her own world, collecting her thoughts in written form and then processing them into concrete visualisations, using still and moving images to create solid communications.

Credits & Specifications
Micol Ceretta (Writer, Director, Producer)
Carlo Pellegrini (Director Assistant)
Davide Saccuman (Director of Photography)

Key Cast
Astrid Strambi "Subject 1"
Olga Grinberg "Subject 2
Giulio Tenca Camera Operator
Carlo Pellegrini 1AC
Matteo Fusi Sound Designer
Luigi Missana Sound Assistant
Victoria Pastore Make-up/SFX
Micol Ceretta Set/Costume Designer

Completion Date: May 5, 2023
Production Budget: 1,000 EUR
Country of Origin: Italy
Country of Filming: Italy
Shooting Format: Digital, RED RAW, Spherical
Aspect Ratio: 16:9
Film Color: Black & White
First-time Filmmaker: Yes
Student Project: Yes - NABA (Nuova Accademia di Belle Arti, Milan)

Michael Workman

Michael Workman is a choreographer, language, visual and movement artist, dance and performance artist, writer, reporter, and sociocultural critic. In addition to his work at the Chicago Tribune, Guardian US, Newcity magazine, WBEZ Chicago Public Radio and elsewhere, Workman is also Director of Bridge, an artistic collective and 501 (c) (3) publishing and programming organization (bridge-chicago.org). His choreographic writing has been included in Propositional Attitudes, an "anthology of recent performance scores, directions and instructions" published by Golden Spike Press, and his Perfect Worlds: Artistic Forms & Social Imaginaries Vol. 1, the first in a 3-volume series, was released by StepSister Press in October 2018 with a day-long program of performances at the Museum of Contemporary Art, Chicago. Most recently, two of his scores were accepted for publication in a special edition of the Notre Dame Review focusing on the work of participants in the &NOW Festival of Innovative Writing.

https://michaelworkmanstudio.com
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THE GENOCIDE HOUSE: Section III (Oct. 11-17)

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THE GENOCIDE HOUSE: Section II (Oct. 4-10)