VIDEO

This program is partially supported by a grant from the Illinois Arts Council Agency.

Welcome to the Featured Film page for Bridge Video, now with more free access. Click here for our Fall 2024 program lineup. New all-original films, exclusively available on Bridge Video are posted here weekly on Fridays Sept-Dec & Feb-June. Click here to subscribe & view our entire collection of under-represented categories of film and video.

THIS WEEK’S IMAGE UNION FEATURE: "The Glass” (Sept 22-28)
Michael Workman Michael Workman

THIS WEEK’S IMAGE UNION FEATURE: "The Glass” (Sept 22-28)

“The Glass” by Doug Hall. A boy wearing sunglasses stands in front of a white wall and waves his hand above a wine glass to create sound even though he is not actually touching the glass. After a moment of this, the glass shatters. Runtime: 2 minutes, 08 seconds

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THIS WEEK’S IMAGE UNION FEATURE: "Cheat-U-Fair” (Sept 8-14)
Michael Workman Michael Workman

THIS WEEK’S IMAGE UNION FEATURE: "Cheat-U-Fair” (Sept 8-14)

“Cheat-U-Fair” by Columbia College Visual Production Seminar Class (Carl German, Thomas Phillips, Bruce Real, Scott Rosenthal, Marsha Rudak, Bob Schordje, and Al Stoncius; instructor, Jim Passin). Color video. A day in the life of Maxwell Street in summer 1980. Runtime: 13 minutes, 5 seconds.

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THIS WEEK’S FEATURED FILM PRESENTATION: "Routine Seasons” (Sept 8-14)
Michael Workman Michael Workman

THIS WEEK’S FEATURED FILM PRESENTATION: "Routine Seasons” (Sept 8-14)

Gabriella’s mother suffered a stroke that left her half-paralyzed and unable to care for herself in the country where she immigrated. For the last ten years, Gabriella has been mostly unable to leave her home. Routine Seasons explores how the love and sacrifice we offer others and impose onto ourselves can evolve into guilt and resentment. Paul Ballerini enters this house alone and creates a piece that explores, using in-camera techniques, the hidden experiences in this home and how reality can be perceived by the individuals living it. Distorted viewpoints, the passing of seasons, politics, the juxtaposition of public and private space and a filmmaker's obsession all converge to dissect the family’s predicament.

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