NEWS: Bridge Welcomes New Fiction Section Editor Meghan Lamb

Written By Michael Workman

NEWS: Bridge Welcomes New Fiction Editor Meghan Lamb

New Bridge Fiction Section Editor Meghan Lamb is a Chicago-based Novelist, Musician & Artist.

With the release of Bridge V22N1, Bridge welcomes new Fiction section Editor Meghan Lamb. Lamb is the author of COWARD (2022), Failure to Thrive (2021) All of Your Most Private Places (2020) and Silk Flowers (2017). She served as the Philip Roth Writer-in-Residence at Bucknell University, and teaches creative writing through the University of Chicago, Story Studio, and GrubStreet. Her work has appeared in Quarterly West, DIAGRAM, Redivider, and Passages North, among other publications. She runs the shadow text reading series Significant Others, a project dedicated to elevating new books and the “behind-the scenes” texts that inspired them.

In addition to being the fiction editor for the Bridge Journal, she serves as the nonfiction editor of Nat. Brut, a Whiting Award-winning journal of art and literature dedicated to advancing inclusivity in all creative fields. She is also the front woman of Kill Scenes: an 80s horror film-inspired dark wave band.

Her debut with this volume of the Bridge Journal includes new select fictions by Greg Sendi, Stacy Hardy, Maiya A. Corral and Douglas Milliken.

Michael Workman

Michael Workman is a choreographer, language, visual and movement artist, dance and performance artist, writer, reporter, and sociocultural critic. In addition to his work at the Chicago Tribune, Guardian US, Newcity magazine, WBEZ Chicago Public Radio and elsewhere, Workman is also Director of Bridge, an artistic collective and 501 (c) (3) publishing and programming organization (bridge-chicago.org). His choreographic writing has been included in Propositional Attitudes, an "anthology of recent performance scores, directions and instructions" published by Golden Spike Press, and his Perfect Worlds: Artistic Forms & Social Imaginaries Vol. 1, the first in a 3-volume series, was released by StepSister Press in October 2018 with a day-long program of performances at the Museum of Contemporary Art, Chicago. Most recently, two of his scores were accepted for publication in a special edition of the Notre Dame Review focusing on the work of participants in the &NOW Festival of Innovative Writing.

https://michaelworkmanstudio.com
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