Perfect Worlds: Artistic Forms & Social Imaginaries is a philosophical study of equality as binding principle by art-makers across disciplines, and how they view their work situated across unrestricted spectrums of social and ideological value. As source material for the tropes and themes of Workman’s interactionist and instructional choreographic work, they are intended as a recovery of under-represented discourses, scholarly research volumes, and critic’s “selected works.” It also aspires to trace the contours of what more life-like art may be present — or imagined — in today’s shifting social imaginaries.