“White Noise” is an abstraction of the social and political concerns currently reverberating throughout the United States. A video that travels through an anonymous American landscape is juxtaposed with the increasingly chaotic sounds of newscasts and punditry. The banal time and space of everyday life take on an ominous atmosphere as the radio gives voice to a stream of issues pulling at our social fabric, while the image of the landscape fragments and falls out of sync with itself, transforming what was once familiar into a threatening experience.

A young girl who is fighting with her problems.

Through intimate reflections, Lick Fire delves into the ecstasy and turmoil that spring forth from the limitless realm of imagination, while fearlessly contemplating the impending consequences of artificial intelligence in breathing life into these captivating and unreal realms.

This film is based on documentary material but is not, strictly speaking, a documentary film. Nor it is a work of fiction. The film rather appeared to us like a dream, not a nocturnal dream, but one which unfolded day by day while shooting. A dream shared between the photographer-director and the actress (or, better, the woman portrayed in the feature), which nevertheless seemed to follow its own, enigmatic necessity through which the daily shots joined almost magnetically, interweaving in a pattern of superimposed layers that unceasingly merge and dissolve one in another, in the constant flux, crystallization and reshaping of psychic interior.

September 9, 2012: After months of preparation, 370 amateur dancers participated in the La Biennale de la Danse parade in the choreography "Pluie de Danses" directed by Bouba Landrille Tchouda.

9 years later, Danse! tell about this wonderful human adventure through the eyes of those who lived it.

Zainab is a successful girl who supports her family financially, but considers herself a boy in spirit, and now she has decided to undergo gender transition, but in addition to her family's opposition and the society's inappropriate view of this issue, she has more difficulties There is something more important to come.

The relationship between the information we retain and its imagery we mentally re-envision and reassemble, helps us conceptualize imperceptible events such as the slow moving catastrophe of climate change. Recalling Robert Jay Lifton’s concept of fragmentary awareness, we form surreal sequences from these visual thoughts in order to create our own narratives of the real events that are difficult to comprehend.

A family celebrates the birthday of their son. After a warm greeting, their usual feast takes place.

Tape of unknown origin, appearing to depict a dramatized sequence of "phases" in time and space that both tell the story of a woman's past and explore the end of our universe, intertwining the two with dark surrealist imagery. Not Recommended. Runtime: 11 minutes.

After the assassination of the Greek-American LGBTQ activist, Zak Kostopoulos, his childhood friend Sophia Farantatou, returns to Greece and finds herself stuck in a dead end. The video of the assassination shot from a passer by, plays on replay in all the national TV channels. Between the media storytelling and her own archive footage from her friend, Sophia has no choice but to isolate and reflect on the meaning of memory. Only time can give her the space to grief and face the absence of her friend.